Alighieri, Dante "The Divine Comedy" (Italian: Divina Commedia) - 1308-20
I love classics. I love chunky books. So, those should be two points
for this book.
I don't like reading plays. I don't like reading poetry. Those are two points
against this book.
Which side wins? Hard to say. If you don't enjoy reading something, it doesn't get better when it gets longer, so the chunkiness played against the read.
I also didn't think this was a very funny book, not that I have anything against that but if a title is "comedy", you should have to smile at least from time to time. Hmmm, didn't happen. Maybe not my kind of humour (though that is usually slapstick and this is certainly not that kind, either).
I know how often this work is praised as highly intelligent, greatest work of art, etc. but for me, it was not something I could relate to very well. Let me put it like this, if you are a classic lover, this is probably a must read and I am glad I finished it.
This was our read in our
international online book club in October 2025 and here are some comments from the group:
- We had a lively and fascinating discussion. Several of us were impressed by how vivid and powerful the writing still feels, even after 700 years. The Swedish translation from 1983 was found to be excellent, while the older Finnish version seemed harder to follow.
We rated the book between 4 and 5 of 5 stars. The many layers of hell led to a lot of discussion - whether Dante’s journey was real, dreamlike, or symbolic. Those with more background in ancient literature and history found it easier to follow all the references, while others were overwhelmed by the flood of Greek and Roman names and places. One member noted that Dante had even placed some of his real-life enemies in hell, adding a personal and political dimension to the story. One copy had a foreword by a translator that told that the author himself called the book only "Comedy", allegedly because it has a happy ending eventually, so the Divine part has been added hundreds of years later by history.
We also looked at art inspired by Inferno, from paintings to illustrations, and one member had an edition with strikingly dark and vivid images that added to the experience.
Overall, we agreed that Inferno has stood the test of time remarkably well, though modern translations make it far more accessible today. None of the other members had read the next parts, Purgatory and Paradiso, yet.
- As my 11th-Grade English teacher told us, "it's a helluva book".
- Dante's extraordinary intellect and imagination interwove Italian history, Church history, philosophy, theology, and his own life in mind-boggling ways. "The Figure of Beatrice" (Goodreads) by Charles Williams offers valuable insights. I was very moved to visit Dante's tomb in Ravenna (he died there of malaria while still in exile from Florence).
From the back cover:
"
Long narrative poem originally titled Commedia
(about 1555 printed as La divina commedia
) written about 1310-14 by Dante. The work is divided into three major sections - Inferno
, Purgatorio
, and Paradiso
- which trace the journey of a man from darkness and error to the revelation of the divine light, culminating in the beatific vision of God. It is usually held to be one of the world's greatest works of literature.
The plot of The Divine Comedy is simple: a man is miraculously enabled to visit the souls in Hell, Purgatory, and Paradise. He has two guides: Virgil, who leads him through the Inferno
and Purgatorio
, and Beatrice, who introduces him to Paradiso
. Through these fictional encounters taking place from Good Friday evening in 1300 through Easter Sunday and slightly beyond, Dante the character learns of the exile that is awaiting him (an actual exile that had already occurred at the time of writing). This device allowed Dante not only to create a story out of his exile but also to explain how he came to cope with personal calamity and to offer suggestions for the resolution of Italy's troubles as well."