Tuesday, 11 November 2014

Nietzsche, Friedrich "Thus spoke Zarathustra"


Nietzsche, Friedrich "Thus spoke Zarathustra. A Book for All and None" (German: Also sprach Zarathustra. Ein Buch für Alle und Keinen) - 1883-85

A philosophical book. The title itself is mere poetry. Even for non-German speakers, it sounds magical, or at least it should.

Nietzsche was a German philosopher of the late 19th century. We have to bear that in mind when reading his work. I've been trying to put together a little description of the book but have failed miserably. It's too hard to put these thoughts into just a few lines.

All I can say, it is definitely worth reading this book and it should be read more than once in order to grasp the whole philosophy behind it. One of the greatest works of its sort. Highly provocative, it had a huge influence on both literature and art, certainly one of a kind.

See more comments on my ThrowbackThursday post in 2025.

From the back cover:

"Thus Spoke Zarathustra: A Book for All and None is a philosophical novel by German philosopher Friedrich Nietzsche, composed in four parts between 1883 and 1885. Much of the work deals with ideas such as the "eternal recurrence of the same", the parable on the 'death of God', and the 'prophecy' of the Übermensch, which were first introduced in The Gay Science. 

When Zarathustra (also known as Zarathusta, Zoroaster) had reached the age of thirty years, he left his native country for the mountains where he prayed and fasted for ten years. Finally, when he got his Prophetic calling an angel is said to have appeared before him. 

Later Zarathustra became the founder of Zoroastrianism and his teachings are preserved in the Zend Avesta and the Gathas which include topics like spirituality, ritualism, sacred chants and astrology."

Friday, 7 November 2014

Book Quotes of the Week


"The first thing that reading teaches us is how to be alone." Jonathan Franzen

"His hands were weak and shaking from carrying far too many books from the bookshop. It was the best feeling." Joseph Gordon-Levitt

"You want to know about anybody? See what books they read, and how they’ve been read…" Keri Hulme, The Bone People

"I am a product of endless books." C.S. Lewis

"Books are like mirrors: if a fool looks in, you cannot expect a genius to look out." J.K. Rowling

"Literature is a fiction that tells a greater truth." N.N.  

Find more book quotes here.

Thursday, 6 November 2014

Aaronovitch, Ben "Moon over Soho"

Aaronovitch, Ben "Moon over Soho" (Rivers of London 2) - 2011

The sequel to "Rivers of London". We meet Peter Grant again, the trainee wizard in the London Metropolitan Police, who hunts supernatural forces, investigates supernatural crimes, tries to save the life of that make everyone's life miserable.

Same as the first one, this book is funny and interesting to read. Lots of fantasy elements mixed in with real life but deep down a crime story with likeable characters. If you enjoyed "Rivers of London", you will like this one, as well. If you haven't read "Rivers of London" (or "Midnight Riot" in the US), read that first. This really should be read as a sequel.

See more comments on my ThrowbackThursday post in 2025.

From the back cover:

"My name is Peter Grant, and I’m a Detective Constable in that might army for justice known as the Metropolitan Police (a.k.a. The Filth). I’m also a trainee wizard, the first such apprentice in fifty years.
Something violently supernatural had happened, something strong enough to leave an imprint on the corpse of part-time jazz saxophonist Cyrus Wilkinson as if he were a wax cylinder recording. He's not the first musician to drop dead of a heart attack right after a gig, but no one was going to let me start examining corpses to check for supernatural similarities. Instead, it was back to old-fashioned police legwork. It didn't take me long to realise there were monsters stalking Soho, creatures feeding off the gift that separates great musicians from those who can raise a decent tune. What they take is beauty. What they left behind is broken lives.

And as I hunted them, my investigation got tangled up in another story: a brilliant trumpet player, Richard 'Lord' Grant – my father – who managed to destroy his own career. Twice.

Policing: most of the time you're doing it to maintain public order. Occasionally you're doing it for justice. And, maybe once in a career, you're doing it for revenge."

The whole series:
"Rivers of London" - 2011
"Moon over Soho" - 2011
"Whispers Under Ground" - 2012
"Broken Homes" - 2013
"Foxglove Summer" - 2014
"The Hanging Tree" - 2016
"Lies Sleeping" - 2018
"False Value" - 2020
"Amongst Our Weapons" - 2022

I found a good site about this series: The Follypedia. 

Tuesday, 28 October 2014

Burgess, Anthony "A Clockwork Orange"

Burgess, Anthony "A Clockwork Orange" - 1962

My first thoughts about this book, I would have liked to read this in English. Alternatively, I would have liked to have the translation of Nadsat (the invented language the storyteller uses.) in the book rather than having to search for it online.

So, the beginning of the book was not very pleasurable at all. I found it very hard to follow Alex's thoughts. But, even when I did finally find the link online, I found it hard to follow his thoughts. This is not your usual dystopian literature where you see the world from the view of the oppressed, rather you see it from the oppressor's side, and that is not a nice view, either. Maybe it is because the protagonist is only fifteen, you don't want a teenager to have such negative thoughts, to live such a violent life. Maybe it is also because life changes even for Alex and his friends.

In any case, even though there were parts of the book I enjoyed, I don't think this is a novel I would pick up again soon.

From the back cover:

"Anthony Burgess's nightmare vision of a society overrun by nihilistic violence and governed by a menacing totalitarian state, 'A Clockwork Orange' includes an introduction by Blake Morrison in Penguin Modern Classics. Fifteen-year-old Alex doesn't just like ultra-violence - he also enjoys rape, drugs and Beethoven's ninth. He and his gang of droogs rampage through a dystopian future, hunting for terrible thrills. But when Alex finds himself at the mercy of the state and subject to the ministrations of Dr Brodsky, and the mind-altering treatment of the Ludovico Technique, he discovers that fun is no longer the order of the day.

The basis for Stanley Kubrick's notorious 1971 film, 'A Clockwork Orange' is both a virtuoso performance from an electrifying prose stylist and a serious exploration of the morality of free will."

Friday, 24 October 2014

Austen, Jane "Emma"


Austen, Jane "Emma" - 1816
The Motherhood and Jane Austen Book Club


This was the fourth book I read with this blog and the challenge to read and discuss Jane Austen's novels with a view of the mothers in the stories.

The first three novels we discussed were "Pride & Prejudice", "Mansfield Park" and "Persuasion" which I have already reviewed earlier.

If you have not read this novel, I refer you to my more general review here because this one will contain spoilers.

I think Emma is the Jane Austen novel with the least mothers or mother figures. We have a few who take the place of mothers but the mothers themselves take a very small place in the novel. Nevertheless, there is something to be said about each one of them and how they influence the other characters.

Mothers: Mrs. Bates, Mrs. John Knightley
Mothers not present: Mrs. Woodhouse
Non-Mothers: Mrs. Weston, Mrs. Churchill

Mrs. Bates
Mrs. Bates is the mother of the very talkative Miss Bates. We don't hear much from the mother but can gather from her daughter and some other remarks what kind of destiny Mrs. Bates had. She is probably the equivalent of Mrs. Dashwood in "Sense & Sensibility" (or what Mrs. Bennett fears in "Pride & Prejudice") because she used to be rich and now is very poor. She therefore must have lost her wealth with the death of her husband whose estate and money went to a distant relative who didn't think he needed to take care of Mrs. Bates and her daughter.

She is a calm and quiet person, too old and too sick to do anything for her daughter and also has no influence on any of the other characters in the novel.

Mrs. John Knightley née Woodhouse
Emma' sister Isabella is married to Mr. John Knightley, the brother of THE Mr. Knightley. She is probably more like her father than she is like her mother, she definitely inherited his fear of catching any illness that is around. The Knightleys are a family family, very close to their children, very caring for them but that's about all we hear from them.

Mrs. Woodhouse
Mrs. Woodhouse, mother of Emma and Isabella, is Mr. Woodhouse's late wife. Her early death might have influenced his hypochondria but I am sure there were some hints of it already there before her demise.

Would Emma have been a different person had her mother been alive? Probably. Since we don't know much about her, we can only assume that she might have been a little stricter than her father who is over-afraid of losing her to anything or than her governess who seems to have been more like a friend than a parent.

Mrs. Weston née Taylor
At the beginning of the novel, Miss Taylor, Emma's governess of many years, marries Mr. Weston, a "man of means". We don't really see her working at Highbury, the Woodhouses' residence, but the families visit each other and there are several discussions with Mr. Knightley about Emma. From that we can get a good idea how she treated Emma and that her indulgences have led Emma to become a young lady who thinks the world of herself and that she knows everything. Mrs. Weston has become the surrogate mother to Emma although she was a little indulgent with her and functioned more like a friend, she loves her as much as a daughter and Emma loves Mrs. Weston as much as a mother but I don't think she did Emma a great service in raising her without any strictness at all.

Mrs. Churchill
Mr. Weston, who marries Miss Taylor, Emma's governess, has a son. When his wife died, Frank was still very little and so his wife's childless brother and his wife raised him. Mrs. Churchill seems to be a very demanding mother, she relies on Frank a lot and won't let him go to visit his father, even for his wedding.
Is she a good mother? Well, she took in her husband's nephew but that was something that a lot of people did at the time, even one of Jane Austen's own brothers grew up in another family. She surely comes around as being very selfish because Frank has to hide his love to Jane Fairfax and can only marry her after Mrs. Churchill dies. Since we never really get to meet her in person, only hear her talked about by those people who would like to see Frank more often, we can only judge her by the negative vibes we get from her acquaintances.

All in all, not many mothers in this novel but still some that have a huge influence on the story.

From the back cover:

"'I am going to take a heroine whom no-one but myself will much like,' Jane Austen wrote, but young Emma Woodhouse, in spite of her weaknesses, has charmed generations of readers. Bossy, a little spoilt, and too eager to control other's lives for what she believes is their own good, she creates misunderstandings with every tactic she employs. But when her attempts to match-make go awry, she learns a hard lesson about life, love, and growing up. The world's greatest works of literature are now available in beautiful keepsake volumes. Bound in real cloth, and featuring gilt edges and ribbon markers, these beautifully produced books are a wonderful way to build a handsome library of classic literature. These are the essential novels that belong in every home. They'll transport readers to imaginary worlds and provide excitement, entertainment, and enlightenment for years to come. All of these novels feature attractive illustrations and have an unequalled period feel that will grace the library, the bedside table or bureau."

This was the fourth book I read with this blog and the challenge to read and discuss Jane Austen's novels with a view of the mothers in the stories.

Other Jane Austen novels I have read with regard to Motherhood:
"Emma" - 1816
"Mansfield Park" - 1814
"Northanger Abbey" - 1818
"Persuasion" - 1817
"Pride & Prejudice" - 1813
"Sense & Sensibility" - 1811

Find a link to all my Jane Austen reviews here.

See more comments on my ThrowbackThursday post in 2022.

Thursday, 16 October 2014

Book Quotes of the Week


"Life without books is like an unsharpened pencil... it has no point." Belcastro

"The book to read is not the one that thinks for you, but the one which makes you think." Harper Lee

"1. Write 50 words. That’s a paragraph. 2. Write 400 words. That’s a page. 3. Write 300 pages. That’s a manuscript. 4. Write everyday. That’s a habit. 5. Edit and Rewrite. That’s how you get better. 6. Spread your writing for people to comment. That’s called feedback. 7. Don't worry about rejection or publication. That’s a writer. When not writing, read. Read from writers better than you. Read and Perceive." Ajay Obri

"Art washes away from the soul the dust of everyday life." Pablo Picasso ... The same applies to books.

"Libraries store the energy that fuels the imagination. They open up windows to the world and inspire us to explore and achieve, and contribute to improving our quality of life. Libraries change lives for the better." Sidney Sheldon

"It wasn’t until I started reading and found books they wouldn’t let us read in school that I discovered you could be insane and happy and have a good life without being like everybody else." John Waters

Find more book quotes here.

Monday, 13 October 2014

See, Lisa "Peony in Love"

See, Lisa "Peony in Love" - 2007 

This is a magical story about a young girl called Peony who lives in the seventeenth century. I have read many books about China, historical and contemporary, fiction and non-fiction, but this has taken me to a place I have never been before. This novel not only explains old Chinese stories and theatre, their whole art even but also their other traditions, like how marriages were arranged and most of all how Chinese see their life after death. Extraordinary.

Through Peony, we learn a great deal about the opera "The Peony Pavilion" written by Tang Xianzu who set the story in the Song dynasty (906 to 1127) even though he wrote about the Ming dynasty (1368-1644), a trick still used in literature today when writing during a difficult time of a country. The second big art project depicted in the novel is "Wu Wushan's Three Wives' Collaborative Commentary of The Peony Pavilion" which takes a big part in the book but does exist in real life. It makes the book even more interesting.

The author does not only describe the life of Peony but also that of any other woman she comes in touch with or is related to, grandmother, mother, aunts, cousins, concubines ... and how they interact. We learn about the Cataclysm, the Manchu overthrow of the Ming regime and the beginning of the Qing dynasty (1644-1911), eras I could never really keep apart but I think with the help of this novel, I am going to manage. She also informs us about feet binding, arranged marriages, weddings, death ceremonies, the status of Chinese women at the time.

Another great read about a country with a big history and probably an even greater future.

See more comments on my ThrowbackThursday post in 2025.

From the back cover:

"Peony is the cherished only child of the first wife of a wealthy Chinese nobleman. Yet she is betrothed to a man she has never met and as her sixteenth birthday approaches, she has spoken to no man other than her father and never ventured outside the cloistered women's quarters of the Chen Family Villa. She is trapped like a good-luck cricket in a bamboo-and-lacquer cage and the romantic lyrics from the Chinese classic novel The Peony Pavilion mirror her own longings. Though raised to be obedient, Peony has dreams of her own. Her father engages a small theatrical troupe to perform scenes from the epic opera of The Peony Pavilion - a live spectacle that few women have ever seen - in their garden amidst the scent of ginger, green tea and jasmine. Peony's mother is against the production: Unmarried girls should not be seen in public. But Peony's father prevails. Women will watch the opera from behind a screen to hide them from view and through a crack, Peony catches sight of an elegant, handsome man with hair as black as a cave and is immediately bewitched by him. So begins Peony's journey of love, desire and sorrow as Lisa See's haunting new novel takes readers back to seventeenth-century China and into the heart and soul of an unforgettable heroine."

This is the author of "Snow Flower and the Secret Fan" which seems to be a lot more popular but I would definitely recommend reading this one, as well.